OLIVER LEE JACKSON: Take the House
Malin Gallery • 515 West 29th Street, New York
December 10, 2019–March 2020 (early closure due to Covid-19)
Take a virtual tour: "T
https://romerphotocontent.com/RomerPhoto/planaview/MalinGallery/MGL_OLJ360.html
Read the review by Adam Shatz in the London Review of Books
Take the House is the third solo exhibition of work by Jackson at Malin Gallery, and follows his acclaimed exhibition at the National Gallery, Washington: Oliver Lee Jackson - Recent Paintings. Take the House features 16 large scale paintings drawn from a 40-year span of the artist's career accompanied by sculpture and works on paper.
Malin Gallery • 515 West 29th Street, New York
December 10, 2019–March 2020 (early closure due to Covid-19)
Take a virtual tour: "T
https://romerphotocontent.com/RomerPhoto/planaview/MalinGallery/MGL_OLJ360.html
Read the review by Adam Shatz in the London Review of Books
Take the House is the third solo exhibition of work by Jackson at Malin Gallery, and follows his acclaimed exhibition at the National Gallery, Washington: Oliver Lee Jackson - Recent Paintings. Take the House features 16 large scale paintings drawn from a 40-year span of the artist's career accompanied by sculpture and works on paper.
Oliver Lee Jackson: Take the House at Malin Gallery, New York. Photo: Andrew Romer
Oliver Lee Jackson: Take the House at Malin Gallery, New York. Photo: Andrew Romer
• • •
Oliver Lee Jackson: Force Field
September 7–November 2, 2019
Rena Bransten Gallery
1275 Minnesota Street, San Francisco
Read the review in SquareCylinder.com
renabranstengallery.com
Oliver Lee Jackson, "Diptych, 2018-2019" at Rena Bransten Gallery
National Gallery of Art, Washington, DC
Oliver Lee Jackson: Recent Paintings
April 14–September 15, 2019
• Oliver Lee Jackson and Harry Cooper in Conversation, Sept. 14, 2019
• Oliver Lee Jackson on PBS Newshour "Canvas," August 26, 2019 - Watch here
• View the NGA film, Oliver Lee Jackson: There is No Story
• View the exhibition tour narrated by NGA Curator Harry Cooper here
• See the artists' talk with Oliver Lake, Marty Ehrlich, A.B. Spellman
and Oliver Lee Jackson (April 12, 2019)
Read the press release here
Articles: Introspective Magazine • Art & Antiques • St. Louis American
nga.gov
• • •
Times Square, New York—NGA Exhibition sponsor Morgan Stanley
Oliver Lee Jackson's No. 1, 2017 (3.13.17) on back wall at left, Rena Bransten Gallery at Pulse Miami, December 2018
Oliver Lee Jackson's No. 6, 2015 (4.28.15), center, Burning in Water at Untitled Art Fair, Miami, December 2018
"Oliver Lee Jackson: Untitled Original 2.0" at Burning in Water, 507 W. 27th St., New York
Oliver Lee Jackson: Untitled Original
Burning in Water (now Malin Gallery), New York City
Read the review by Chris Cobb:
https://openspace.sfmoma.org/2018/11/oliver-jackson-in-new-york-2/
Part 1: May 31—November 1, 2018
Part 2: September 13–November 1, 2018
See the Youtube video: https://www.youtube.com/watch?v=KcxaJslYkXQ
Burning in Water
646-981-7696
www.malingallery.com
Burning in Water (now Malin Gallery), New York City
Read the review by Chris Cobb:
https://openspace.sfmoma.org/2018/11/oliver-jackson-in-new-york-2/
Part 1: May 31—November 1, 2018
Part 2: September 13–November 1, 2018
See the Youtube video: https://www.youtube.com/watch?v=KcxaJslYkXQ
Burning in Water
646-981-7696
www.malingallery.com
Oliver Lee Jackson: Untitled Original 2.0, at Burning in Water, 507 W. 27th Street, New York, Summer 2018. Photo: Weston Wells
"Oliver Lee Jackson: Untitled Original" at Burning in Water, 317 10th Ave., NYC, Summer 2018. Photo by Kristin Reinheimer
• • •
Oliver Lee Jackson: Someplace Else at Rena Bransten Gallery, San Francisco, 2018.
Photo: Phillip Maisel
Photo: Phillip Maisel
Oliver Lee Jackson: Someplace Else
March 3–April 28, 2018
Rena Bransten Gallery, Minnesota Street Project, San Francisco, CA
1275 Minnesota Street, San Francisco, CA 94107
415.982.3292 www.renabranstengallery.com
View the exhibition catalogue:
https://issuu.com/renabranstengallery/docs/jackson-digital-catalogue-v3-single?e=32797763/59242765
Read Maria Porges' review on squarecylinder.com:
http://www.squarecylinder.com/2018/04/oliver-lee-jackson-rena-bransten/
______________________________________________________________
Throughout his over five-decade career, Jackson has continued to explore pictorial and perceptual power, force, and sacred space. While his works contain (often recurring) figures, he circumvents expectations of a narrative. Jackson’s intention is to “get past the eyes” and let the mind travel to a state that is unfamiliar and compelling, allowing the work to unveil itself through time and layer by layer. Through this we discover figurative elements embedded within and inseparable from the field: crouched or lying figures, faces in profile, flowers, silhouetted birds, the cone shape of an eye, or an extended arm with pointing finger. In disengaging these figurative elements from a narrative, we may become open to seeing in a new way, allowing ourselves to get lost within the field, and Jackson continually challenges us to do so. — Rena Bransten Gallery
https://issuu.com/renabranstengallery/docs/jackson-digital-catalogue-v3-single?e=32797763/59242765
Read Maria Porges' review on squarecylinder.com:
http://www.squarecylinder.com/2018/04/oliver-lee-jackson-rena-bransten/
______________________________________________________________
Throughout his over five-decade career, Jackson has continued to explore pictorial and perceptual power, force, and sacred space. While his works contain (often recurring) figures, he circumvents expectations of a narrative. Jackson’s intention is to “get past the eyes” and let the mind travel to a state that is unfamiliar and compelling, allowing the work to unveil itself through time and layer by layer. Through this we discover figurative elements embedded within and inseparable from the field: crouched or lying figures, faces in profile, flowers, silhouetted birds, the cone shape of an eye, or an extended arm with pointing finger. In disengaging these figurative elements from a narrative, we may become open to seeing in a new way, allowing ourselves to get lost within the field, and Jackson continually challenges us to do so. — Rena Bransten Gallery
____________________________________________________________________________________
• • •
Oliver Lee Jackson: Composed
Works from 1984 to 2016
San Jose Institute of Contemporary Art, San Jose, CA
March 19–June 4, 2017
Gallery talk - Sunday, April 9, 2017 - Oliver Jackson with Harry Cooper, Curator of Modern Art, National Gallery of Art, Washington, DC
"Oliver Jackson is a master of painting, drawing, printmaking, and sculpture. This exhibition presents a range of works spanning three decades of his artistic production. Jackson’s work is based in figuration, yet there is no narrative. Instead, he creates dynamic relationships — figures with figures, figures with the field — that are evocative and significant.
A constant shifting between field and figuration in his paintings, drawings, and prints creates a pulsating spatial effect, and a zone of feeling that provokes in the viewer a state of being. In any of his chosen media, Jackson’s images meet the viewer with an intensity that presses the physicality of visual experience. Jackson is much concerned with problems of essence and being, a deeply personal investigation through the process of making: making, that is, as experience." — Cathy Kimball, Executive Director, exhibition brochure
A constant shifting between field and figuration in his paintings, drawings, and prints creates a pulsating spatial effect, and a zone of feeling that provokes in the viewer a state of being. In any of his chosen media, Jackson’s images meet the viewer with an intensity that presses the physicality of visual experience. Jackson is much concerned with problems of essence and being, a deeply personal investigation through the process of making: making, that is, as experience." — Cathy Kimball, Executive Director, exhibition brochure
• • •
Oliver Lee Jackson painting on exhibit at The National Gallery of Art, Washington, DC
Oliver Lee Jackson's Painting (5.21.95) on exhibit in the mezzanine of the newly redesigned East Building of the National Gallery of Art, Washington DC, September 2016–2017. Collection of the National Gallery of Art, Gift of Paul Carter Harrison and Wanda Malone Harrison
